Duration 2:3:40
AC/DC No Bull Live From Plaza De Toros De Las Ventas, Madrid 1996
Published 8 Jan 2021
AC/DC No Bull Live From Plaza De Toros De Las Ventas, Madrid 1996 Tracklist 1 Introduction 2 Back In Black 3 Shot Down In Flames 4 Thunderstruck 5 Girl's Got Rhythm 6 Hard As A Rock 7 Shoot To Thrill 8 Boogie Man 9 Hail Caesar 10 Hells Bells 11 Dog Eat Dog 12 The Jack 13 Ballbreaker 14 Rock And Roll Ain't Noise Pollution 15 Dirty Deeds Done Dirt Cheap 16 You Shook Me All Night Long 17 Whole Lotta Rosie 18 T.N.T. 19 Let The Be Rock 20 Highway To Hell 21 For Those About To Rock (We Salute You) 22 Closing Credits Band Vocals – Brian Johnson Rhythm Guitar – Malcolm Young Lead Guitar – Angus Young Drums – Phil Rudd Bass Guitar – Cliff Williams Recorded live at the Plaza De Toros De Las Ventas on July 10, 1996 Black Sabbath The Last Supper 1999 (Reunion) Full Concert: /watch/Q6PkzIPP0dBPk Motorhead Stage Fright Live Hammersmith Odeon: /watch/4VxY9PXmWl3mY Motorhead Birthday Party 1985 Hammersmith Odeon Live: /watch/gxI_bJkd_WId_ Motorhead Toronto Live 1982: /watch/Q1NDZYJnjNSnD Metallica Live Seattle '89 Live Shit Binge & Purge: /watch/MtgWDE_FB5zFW Accept Staying A Life 1985 Japan: /watch/4RBaCjsLHR0La Ozzy Osbourne Live and Loud 1993 Full Concert part 1: /watch/k2L6jCTd5Y7d6 Ozzy Osbourne Live and Loud 1993 Full Concert part 2: /watch/IgV2zkBkfVMk2 Ozzy Osbourne Live in Philadelphia 1989: /watch/0uHA04PCr6-CA AC/DC Live At Donington 1991 Full Concert: /watch/wMxXLA4onv4oX Iron Maiden Live At Donington 1992 Full Concert: /watch/QNpkW5d53JV5k Iron Maiden Live At The Rainbow 1981: /watch/YliOnOE-Y1M-O Iron Maiden Live After Death 1985: /watch/MaVfLyjrY2Yrf 666 Pure Metal Playlist /playlist/PLq_RoKHb8OjE7s7nyQ053pnkm4ESbbj3U Full Concerts /playlist/PLq_RoKHb8OjHe4i91srfxsXnMsq9l4lLu Design [Package Design] – Jim deBarros Film Director – David Mallet (2) Film Producer – Rocky Oldham Illustration – Joseph Adolphe Management [Business Management] – Alvin Handwerker Mixed By [Music] – Mike Fraser Photography By, Design Concept – Michael Halsband Companies, etc. Label: Eastwest – 40192-3 SME Phonographic Copyright (p) – Leidseplein Presse B.V. Copyright (c) – Leidseplein Presse B.V. Manufactured By – Atlantic Recording Corporation Published By – J. Albert & Son Pty. Ltd. Filmed At – Plaza De Toros De Las Ventas Cinematography by Peter Sinclair...director of photographyFilm Editing by Dave Gardener Philip Richardson Production Management Dominic Bolus...production manager: Spanish crew Dale Skjerseth...production manager: AC/DC (as Dale 'Opie' Skjerseth) Amanda Willgrave...production managerSecond Unit Director or Assistant Director Iain Patrick... first assistant directorArt Department Roger Chopping...construction managerSound Department Paul Boothroyd.. sound engineer: AC/DC (as Paul 'Pab' Boothroyd) Kenneth Check...sound technician: AC/DC Mike Frase ...post-production sound / sound mixer Tim Fraser...sound recordist David Hayes...sound assistant Jim Iturrieta...sound crew chief: AC/DC Guy Novak...sound technician: AC/DC Mike Piper...sound technician: AC/DC Geoff Price... sound assistant Jon Wakeham...sound playback Production Companies Cowboy Films Dirty Deeds Ltd. Distributors Elektra Entertainment Group (2001) (USA) (DVD) Warner Music Vision (USA) (DVD) Other Companies Ed's Diner (catering) J. Albert & Son Pty. Ltd. (music publishing) Manor Mobiles (sound mobile) (as Manor Mobile) Onsight (post-production) Prager and Fenton (management) (as Prager & Fenton) The Studio (sound pre-mix) Warner Music Vision, Eastwest 8536-40192-2 Europe 2000
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2 Back In Black
3 Shot Down In Flames
4 Thunderstruck
5 Girl's Got Rhythm
6 Hard As A Rock
7 Shoot To Thrill
8 Boogie Man
9 Hail Caesar
10 Hells Bells
11 Dog Eat Dog
12 The Jack
13 Ballbreaker
14 Rock And Roll Ain't Noise Pollution
15 Dirty Deeds Done Dirt Cheap
16 You Shook Me All Night Long
17 Whole Lotta Rosie
18 T.N.T.
19 Let There Be Rock
20 Highway To Hell
21 For Those About To Rock (We Salute You)
22 Closing Credits .. ...Expand 213
that play between Mal abd Angus is sexy .. ...Expand 8
also awesome here is to see the return of phil rudd. Hes the secret weapon. And while there is no bad ac/dc album, its no accident that their least impressive period was from 1984-1993, when ac/dc was just good, but not great. And i rank the 3 studio albums that came out in that period as follows:
rank 15: fly on the wall
rank 16: up your video
rank 17: the razors edge
keeping in mind that they only have 17 studio albums (and yes thats not a typo, i have razors edge at 17th) keep in mind though that there is no bad acdc i album. They all kick ass. All of them. Got it? Capice paisan?
but yea, back to phil. Hes great. I always find it ridiculous how technical drummers and those that worship and admire them, consider phils playing basic. I play drums, and his playing is anything but basic. It takes a shitload of stamina, a ridiculously persistent and metronomic right hand that somehow also plays loose and with incredible feel, with an alarmingly quick return to the high-hat after breaks, and an advanced understanding of the role of drums in a rock band. And his demeanor is just so cool back there as well. I particularly like how he handles playing thunderstruck which was played on album by chris slade (another fine drummer, but better off in a more modern hard rock band that relies less on that old rock and roll swing and feel, more like the firm, where he did an excellent job)
to elaborate further, on thunderstruck, i like how rudd plays the four standalone drum hits during the musical break before the chorus during this song live. He does it rudd-style with 4 quick somewhat understated snare snaps, instead of the dramatic flailing style performed by chris. And rudd delivers this with the usual nonplussed look on his face in (decidedly intentional i am sure) contrast to the crazy over the top wild man the hills have eyes faces slade makes while performing this part. So yeah great to see phil back.
i actually thought angus, who is usually flawless, came off a bit tentative early on. It may not have helped that he is playing with such a clean, undistorted, and thus less forgiving, guitar tone which tended to highlight any awkward notes. It was also interesting to see a more subdued young on stage. I mean shit he was 40 now, but his neck was probably like 140 after 20+ years of non/stop head-banging on stage. Which i was glad for.
i always found it frustrating that i couldnt see his face while he was playing. Just a blur the whole time. And truly amazing that he could play some really intricate technical stuff while banging his head like that. The man is a force of nature and deserves to be considered up there with all the greats, and by this i mean page, hendrix; clapton, beck, iommi, blackmore, tipton, lifeson, whoever. Insert name here __. Hes just as good as that guy, or better. Hes a master.
also great to see malcom is still malcolm. Unflinching. Unchanged. Immutable. He is more than an icon. More than an institution. He is an aesthetic. His playing is anything but easy. Like rudd, he is a paradox, plays with incredible feel and nuance, but god does he hit those strings and nail those chords with unmatched force. He really is an additional percussionist for the band.
but in all seriousness, if there is one thing that bothered me about this video, it was the severe under-exposure of cliff williams on camera. There is nothing more rock than seeing him lumber forth from his usual spot in the back by the drums, like some wild mountain man with that long hair like a mop practically covering his eyes, pounding that bass, and arriving just barely in the nick of time to deliver his backing vocals with some real power and conviction, only to lumber back as instantly as he lumbered forward. Like a rock and roll sasquatch with an unmatched sense of timing and a great voice. For real, he and malcolm have got to be in consideration for the best backing vocal tandem in rock.
also like rudd, cliff is severely under appreciated for the amount of talent he brings to the band. But he apparently doesnt mind one bit, preferring the support role and leaving the spotlight to others.
however, dont be fooled by his desire to stay in the shadows a bit. This man can play with a fire and fury that is hard to match. And hes flawless. Whether he is pounding home a driving rhythm, or playing some catchy groove, or elevating a song to the next sonic level, he is doing it expertly. Can he play busy? Yes. The man was one of the leaders and songwriters of the english rock band home, which is a surprisingly inventive androck band, and his bass playing there is much busier and even off the beaten path at times. So he is basic by choice. So if you are one of those bass players that snickers or maybe rolls their eyes when someone mentions cliff in a conversation about great or overlooked bass players, its time to stop being an asshole and start listening s little more closely!
if you made it through this, i thank you. You deserve a freaking medal.
long live
the greatest. 13
you: ok watch this *uploads no bull. 8
terrific crowd= loud, cheering, yelling the whole show. Amazing. 1
ac/dc
1996
1. Back in black hidden19"
2. Shot down in flames
3. Thunderstruck
4. Girls got rhythm
5. Hard as a rock
6. Shoot to thrill
7. Boogie man
8. Hail caesar
9. Hells bells
10. Dog eat dog
11. The jack
12. Ballbreaker
13. Rock and roll aint noise pollution
14. Dirty deeds done dirt cheap
15. You shook me all night long
16. Whole lotta rosie
17. T. N. T.
18. Let there be rock
19. Highway to hell
20. For those about to rock (we salute you)